The recently staged Marathi play Shikayala Gelo Ek has left audiences with both laughter and thought, offering a truly enriching theatrical experience. Rooted in themes of education, self-discovery, and social responsibility, the play delivers a poignant message wrapped in wit and emotion.

The storyline explores the dual purpose of education—one that equips individuals with practical skills for societal good, and the other that nurtures personal growth and fulfillment. Shikayala Gelo Ek delves into the conflict that arises when these two aspects are out of balance and beautifully advocates for a middle path.

The plot revolves around Mahesh Sane, a respected educator and current principal of a school in Pune. He lives alone, with his daughter Vidya visiting him on weekends from Mumbai. The story takes a turn when Tanaji Kharade, an MLA, approaches Mahesh with a hefty offer to privately tutor his son, Shyam—an eccentric social media influencer who has failed to clear his Class 10 exams for ten years.

Vidya, seeing a chance for her father to fulfill his dream of opening a school for underprivileged rural children, urges him to accept the offer. But as the narrative unfolds, it’s Shyam who ends up teaching Mahesh unexpected life lessons. Shyam’s journey, from a carefree content creator to someone who begins to value formal education, is filled with humour, emotion, and a touch of chaos—especially with the entry of his girlfriend, Helen.

The play cleverly contrasts two worlds—one rooted in traditional values and structured learning, and the other in modern-day individualism and digital fame. Yet, in this clash, the characters grow and transform, ending with a satisfying resolution where everyone’s dreams are fulfilled.

The performances were nothing short of stellar. Theatre veteran Prashant Damle, along with Hrishikesh Shelar, Sushil Inamdar, Chinmay Mandlekar, Anagha Bhagre, and Samuddhi Moharir, delivered powerful and convincing portrayals, leaving the audience thoroughly engaged. The dialogues were crisp, humorous, and emotionally resonant.

The technical elements of the production also stood out. The lighting by Kishor Ingale, sound design by Prakash Khot, and set design by Madhukar Baad created an immersive theatrical atmosphere. Special mention must be made of Ajay Kasurde, who effectively coordinated these departments to maintain smooth transitions and visual coherence throughout the play.

Shikayala Gelo Ek is a delightful blend of comedy, drama, and meaningful commentary on modern society. It’s a must-watch for anyone who values impactful storytelling and the enduring charm of live Marathi theatre.